‘As Mussorgsky didn’t finish the composition of his two operas Sorochintsï Fair and Salammbô, I thought it would be interesting to look at what he left and compare it with some reconstructions. Regarding Sorochintsï Fair, I saw that it was possible to make a lovely comedy without adding anything, just using what Mussorgsky had left. As this opera is a comedy that refers heavily to Ukrainian folk music, I preferred to use a small chamber orchestra to reinforce these aspects of the work. The irony of Gogol's text is unique and doesn’t translate well to a large orchestra.’
– Fabrice Bollon, Conductor/Arranger
Modest Mussorgsky’s operatic output is dominated by the epic Boris Godunov and Khovanshchina, but of his notable unfinished works Sorochintsï Fair is the most prominent example. Based on a story by Gogol, this is a comic opera in which amorous encounters intermingle with a devil’s curse. This chamber orchestra version by Fabrice Bollon uses only original music by Mussorgsky unlike other completions. Potentially a compelling and original drama, Salammbô was Mussorgsky’s first attempt at an opera, praised by Rimsky-Korsakov for the ‘beauty of its themes and ideas’.