Our two new audiovisual releases this month inhabit completely different worlds of operatic style and intention. Composed in the early 1920s, Danish composer Rued Langgaard’s remarkable Antikrist is one of those rarities that went from legendary status to complete obscurity until it received its first studio recording in 1980. This is only the second available commercial audiovisual recording of the work in a production that was critically acclaimed, bachtrack.com noting how ‘the audience was left visually and musically overwhelmed at the end.’ From the 17th century, we have the world premiere recording of Francesco Antonio Boerio’s Bello tiempo passato, the earliest example of a Neapolitan comic intermezzo which he inserted into his opera Il disperato innocente (1673). This production was noted by Musica for ‘the sounds, voices, colours, jokes, in short, the atmosphere of excessive joy that one must have experienced in the seventeenth-century theaters in Naples.’
Rued LANGGAARD (1893–1952)
Antikrist
Church opera in two acts and six scenes,
BVN 192 (1921–23, rev. 1926–30)
Libretto by the composer
Sung in German
Valeriia Savinskaia, Flurina Stucki, SopranosIrene Roberts, Maire Therese Carmack, Mezzo-sopranos
Clemens Bieber, AJ Glueckert, Andrew Dickinson, Tenors
Thomas Lehman, Baritone • Joel Allison, Bass-baritone
Jonas Grundner-Culemann, Speaker
Orchestra and Chorus of the Deutsche Oper Berlin
Stephan Zilias, Conductor • Ersan Mondtag, Stage director
Rued Langgaard’s remarkable opera Antikrist confronts the decline and fall of Western civilisation, critiquing modern lifestyles and ways of thinking, which resonates with our times more than ever before. Never performed in the composer’s lifetime, Antikrist blends Romantic and contemporary styles to create a score that is both seductive and opulent, while the lack of a conventional plot creates space for an ironic and sarcastic exposé of contemporary civilisation’s weaknesses. This spectacular Deutsche Oper Berlin production was acclaimed in The New York Times as a ‘riotously colourful, boldly stylised staging [in] a near-breathless swirl’.
Also available on Blu-ray Video (NBD0176V)
Francesco Antonio BOERIO (attr.)
Bello tiempo passato
Comic Intermezzo from the opera Il disperato innocente – Naples 1673
Pino De Vittorio • Giuseppe NaviglioOlga Cafiero • Rosario Totaro
Cappella Neapolitana
Antonio Florio, Conductor
In the early 1670s, soon after Venetian opera became established in Naples, a series of comic figures began to inhabit secular but also sacred operas. These stock characters included the Neapolitan, the Calabrian and the Boy, and all three plus a fourth, ‘The Spaniard’, appear in a comic intermezzo inserted in the 1673 opera Il disperato innocente by the little-known Francesco Antonio Boero. This is the oldest surviving Neapolitan comic intermezzo, and, along with its Prologue, seems to have been written by other authors. This video preserves a historically informed performance given by Antonio Florio with Pino De Vittorio that explores the tradition of the intermezzo in 17th-century plots.
Also available on Blu-ray Video (DYN-58016), Disc and Streaming (CDS8016)
The Opus Arte Critics’ Choice series is a diverse range of titles featuring some of the most acclaimed recordings in the label’s catalogue at a very special price. In this series we celebrate many famous classics while also revisiting some of the more innovative, original and perhaps less well-known productions that the label has long been renowned for showcasing. All the new Critics’ Choice releases contain the beautifully designed, original artwork and colour booklets which, along with a new unique cover design uniting all the titles, makes them ideal for collectors.
George Frideric HANDEL (1685–1759)
Saul
Christopher Purves • Iestyn Davies • Lucy Crowe • Sophie BevanPaul Appleby • Benjamin Hulett • John Graham-Hall
The Glyndebourne Chorus • Orchestra of the Age of Enlightenment
Ivor Bolton, Conductor • Barrie Kosky, Director
Glyndebourne’s Saul stole the summer and had critics raving. The Guardian (★★★★) applauded ‘virtuoso stagecraft’ from director Barrie Kosky in his Glyndebourne debut, calling the show ‘a theatrical and musical feast of energetic choruses, surreal choreography and gorgeous singing’. For The Independent, which ranked it amongst the five top classical and opera performances of 2015, there was ‘no praise too high’ for the cast. The Orchestra of the Age of Enlightenment under Ivor Bolton sparkles from the pit with period panache, and designer Katrin Lea Tag’s ‘exuberant costumes’ (The Times ★★★★) set the Old Testament story in Handel’s time, with a witty flavour of the contemporary.
Also available on Blu-ray Video (OABD7205D)
William SHAKESPEARE (1564–1616)
As You Like It
Brendan Hughes • Naomi Frederick • Laura Rogers • Dominic RowanGregory Gudgeon • Sean Kearns • Philip Bird • Tim McMullan
Peter Gale • Jamie Parker • Jack Laskey • Trevor Martin
Michael Benz • Jade Williams • Sophie Duval • Sean Kearns
Gregory Gudgeon • Peter Gale • Ewart James Walters
Thea Sharrock, Director
Thea Sharrock’s irresistible new production of Shakespeare’s popular romantic comedy stirs wit, sentiment, intrigue and love into a charming confection which challenges the traditional rules of romance. At its heart, a feisty but feminine Rosalind (Naomi Frederick), in love with the endearingly naive Orlando (Jack Laskey), uses her disguise as Ganymede to counsel him playfully in the art of wooing. Distraction is provided by Dominic Rowan, a remarkably funny Touchstone, and Tim McMullan, whose sonorous tones are perfectly suited to the lugubrious wit of Jaques. Filmed in High Definition and true surround sound.
Also available on Blu-ray Video (OABD7066D)
PHILIP FEENEY (b. 1954)
Victoria
Abigail Prudames • Joseph Taylor • Pippa MooreMiki Akuta • Mlindi Kulashe • Sean Bates
Cathy Marston, Choreographer and Director • David Nixon OBE, Artistic director
Passion, tragedy, fierce devotion. Queen Victoria’s diaries revealed a life so fascinating that her daughter Beatrice tried to rewrite history.
Her irrepressible love for Albert sparked a royal dynasty. But his untimely death brought the world’s most powerful woman to her knees with grief.
Northern Ballet’s new biopic, choreographed by Cathy Marston, “one of Britain’s most interesting choreographers” (Evening Standard), brings the sensational story of Victoria to life in dance.
Also available on Blu-ray Video (OABD7264D)