‘Spyridon Samàras (1861–1917) was the first Greek composer to attain international significance. His operas were performed in major music centres throughout Europe, but his relatively early death during World War I and the subsequent rapid shifts in musical tastes caused his work to fall into obscurity. Over the past four decades, I have pioneered the effort of highlighting and re-evaluating Samaras’s work through performances and the gradual recording of his compositions.
His opera Tigra remained unfinished with only the first act partially completed. In 2009, I orchestrated this act, believing that it can also be performed as a single-act opera. Representing the mature period of Samaras’s career, Tigra also indirectly reflects his creative vision for the evolution of modern Greek music.’
– Byron Fidetzis
Spyridon Samaras was the most internationally respected Greek composer of his time, yet it is only in recent years that some of his major works have been edited or orchestrated for performance. Tigra is a major case in point, a ravishing love story set in medieval Venice, and a product of Samaras’s operatic maturity. With its innovative harmonic language set to an Italian text, musical Orientalism and Franco-Italian influences it helped pave the way for the emerging Greek National School. It has been faithfully orchestrated by Byron Fidetzis. Epinikeia is reminiscent of Samaras’s famous Olympic Anthem of 1896, while Chitarrata is a youthful work composed in Paris.