The Music of Brazil

‘Aleyson Scopel, a compatriot of the composer…appears fully absorbed in José Almeida Prados’ world for piano and is in complete control of the music’s energy, which occasionally erupts with force.’
– Piano News

‘The second volume in Aleyson Scopel’s complete series…shows off this young pianist’s dazzling skills, and it points as well to the importance of this major work of a great 20th/21st century composer.’
– Music for Several Instruments
‘Top Ten Discs of 2017’

‘Prado calls his harmonic language “transtonality” – his Cartas Celestes features almost every type of sound the piano has to offer.’
– BBC Music Magazine

‘Scopel understands this very well, and indeed it takes a performer of imagination to play this music with convincing authority.’
– The Art Music Lounge

‘…Scopel is a master of both mood and articulation, bringing out the structure of these pieces without over-emphasizing anything yet still making every note, even in the inner voices, audible to the listener. Quite simply, this is an astounding album.’
– The Art Music Lounge

‘Max Barros sounds completely comfortable and confident in the solo parts.’
– Gramophone

‘The performances are totally committed, virtuosic, and remarkably well-played given the music’s novelty.’
– ClassicsToday.com

‘This music really draws me in, with often haunting melodies and interesting use of harmony and rhythm.’
– Lark Reviews

‘Barros is just right for this music: deeply versed in Guarnieri’s idiom, he plays with confident brio and sensitivity.’
– American Record Guide

‘Splendid recording and energetic playing throughout.’
– Classical Guitar

‘Makes an excellent introduction to the composer … The Nashville Orchestra respond with enthusiasm to Kenneth Schermerhorn.’
– The Penguin Guide

‘A nice surprise… it’s fresh, appealing, and a sheer delight.’
– ClassicsToday.com